These informalist experiments continue my search for a plastically expressive painting devoid of conceptual masks.
Painting for and by itself, material and physical. Previous expressionist, colour-field and calligraphic work informs this new combination of accidental folds, transparencies, gestures, vibrant backgrounds, heavy colours and ending splashes, to form a personal painting language; a kind of musical composition to reach out and to move viewers´ emotions.

Eduardo Ralita

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